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BOTTLED ABYSS pre-order

Bottled Abyss





  My second novel BOTTLED ABYSS is now available for pre-order. Description below:  


    PRE-ORDER HERE    

Herman and Janet Erikson are going through a crisis of grief and suffering after losing their daughter in a hit and run. They’ve given up on each other, they’ve given up on themselves. They are living day by day. One afternoon, to make a horrible situation worse, their dog goes missing in the coyote-infested badlands behind their property. Herman, resolved in preventing another tragedy, goes to find the dog, completely unaware he’s on a hike to the River Styx, the border between the Living World and the world of the Dead.

YOU’VE TAKEN PAYMENT FOR A DEATH THAT DOESN’T BELONG TO YOU.
WHAT WERE THREE ARE NOW ONE, AND I AM FURY…

Long ago the gods died and the River dried up, but a bottle containing its waters still remains in the badlands. What Herman discovers about the dark power contained in those waters will change his life forever…

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  “It happens from time to time…a book grabs you from the opening line and refuses to let you go.  Benjamin Kane Ethridge’s Bottled Abyss was one of those reads for me.  Bottled Abyss is a stunningly sophisticated tale, both in its mythic scope and in its adroit handling of complex, emotional characters.  Ethridge is a writer of rare emotional intelligence, developed far beyond his years, but with Bottled Abyss he has outdone even his own considerable promise.  There are several writers out there, such as Laird Barron, John Langan and Lee Thomas, that have me chomping at the bit for their next release.  Add to that shortlist Benjamin Kane Ethridge, for he has made me a fan for life!”  

Joe McKinney, Bram Stoker Award-winning author of Flesh Eaters and Dead City

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Interview with Scott A. Johnson

crazy man






Today we have an interview with author Scott A. Johnson. I'm so very pleased he was able to stop by Cloth's Chapel and discuss his latest work.



BKE: For the folks who haven't had the chance to read any of the Stanley Cooper chronicles, can you describe what they're missing out on?

SJ: The Stanley Cooper Chronicles is a series of pulp-horror/urban fantasy noir stories centering around Stanley Cooper, a reluctant clairvoyant.  Stanley died in a fall, but was revived by paramedics.  Since his death and return, he can see ghosts and the living energy that surrounds all things.  He's joined in the stories by Maggie, a card-carying spell-slinging witch who becomes Stan's love interest.

BKE: What kind of a reader is especially going to love this series?

SJ: Readers who like their adventure with a side-dish of sardonic humor will like Stanley.  People who are tired of the chisel-chested, strong-chinned heroes will relate to him.  It's not just horror, but more about the human experience.  If you like magic, mayhem, and a smart-alecky guy telling the story, you'll like Stanley.
 
BKE: Stanley Cooper is being cast in a big Hollywood flick, who is your first choice for the lead? Who's your runner-up?

SJ: Seriously, that's a tough one.  I always kind of pictured Stanley Cooper as myself.  Sean Astin, maybe?  I mean he's short, a little doughy, and has big bushy hair.  Physcially, he's kind of like a cleaned up and less hyper-kinetic version of Jack Black.  That would turn into an entirely different movie, though.  I think, if I had my say on it, it would probably be someone like Seth Rogen.  For Andi, maybe Mila Kunis.  For Maggie, Julianne Moore I think.  But to avoid controversy, maybe it should just be a cast of unknowns.
 

BKE: With Ectostorm, do feel the Stanley Cooper stories are now complete? Or will you continue to write more installments?

SJ: No, they'll never be complete.  I could live the rest of my life writing the Stanley Cooper Chronicles.  I have too much fun with the character.  Whether or not there will be more is up to two factors:  The fans and my agent.  If my agent can sell it to a larger press, I'll keep going.  If the fans tell me they want more, I'll keep writing them.  I've got the plot-lines already mapped out for the next two installments.  Right now, though, I'm concentrating on writing a stand-alone novel for my agent to shop around.  Currently she's shopping around two stand-alones and the Stanley Cooper Chronicles.
 
BKE: Pittsburgh seems to be a hub of all-things Horror these days. Do you think the city lends itself to creepiness or disquiet? Or is the Romero legacy directly linked to this connection?

SJ: For me, it's neither one.  I moved to Pittsburgh and lived there for a couple of years and just fell in love with the place.  The people were fantastic, the food was awesome, and I defy anyone to show me a prettier city at four in the morning when the buildings are all still lit up but the sun is just starting to warm the sky.  The people and the place just made that big of an impression on me.  

BKE: What is the most rewarding part about being a writing instructor?

SJ: I like giving young writers the help I never got.  When I started, I had no one to tell me what to do, where to go, how to write queries, etc.  I made a lot of mistakes because of ignorance, and I like to help people not make the same mistakes I did.  I love working with students who respect the craft of writing, and I love hearing their ideas.  There's something magic about a room full of writers throwing ideas back and forth.  

BKE: What are your future projects looking like at the moment?

SJ: As I said, my agent has several manuscripts of mine.  But up next, I'm trying to take a classic monster that's been neutered and bring it back to it's original horrific glory.  After that, I may write another ghost story. I love ghost stories.  I also have my first collection of short stories out, Droplets.  They're weird little stories from all over my writing career, including my first professionally published piece!  

BKE: Thanks so much for the interview Scott! I really appreciate it.

SJ: Thank you!

~~~~~~~~~~

Scott A. Johnson writes horror, dark fantasy, and horror-themed pulp-noir. A native Texan, Scott grew up in a small swampland town near the Gulf of Mexico that was culturally rich with ghost stories. It wasn't until he was in college that he decided to try writing, and discovered that he had a knack for disturbing fiction.

Over the years, he's continued to grow as a writer while working at a variety of interesting jobs. He has been a waiter, bouncer, salesman, professional musician, actor, model (really...he used to be much thinner), baker, teacher and computer technician. In 2007, he picked up his family and moved to Pittsburgh, where he took a teaching position at Waynesburg University. Two years later, he returned to Texas for a better job, and continues to live there, though he does continue to teach at Pennsylvania's Seton Hill University in the innovative Masters in Writing Popular Fiction program.

Scott is married to Tabatha, and together they have two children and three cats. When he's not working for Texas State University-San Marcos, he is writing. In his spare time, he teaches Kajukenbo Karate, hunts ghosts, and plays golf. For more information on him, visit his website.

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castles






Around page 45 or so, I set the book down and the black cover stared up at me. I WILL RISE by Michael Louis Calvillo. I wasn’t certain about the novel, even though I happen to love stream of conscious writing. Hell, James Joyce is one of my idols and I would hardly call him a page-turner, but I WILL RISE hadn’t sunk its messy claws into me yet, not even with a subtle literary-styled attack. So I argued it over in my mind for the rest of that day. This Michael Louis Calvillo, a talented, risk-taker of a writer, no question… but where was he going with his story? What was it about?

I decided I would put I WILL RISE away and return to it later, which is something I never do, and I knew the odds were stacked against it. I could clearly hear my internal book-shelf drill sergeant breathlessly ordering me to pack it up to a library or Ebay or some place that unfinished novels go.

Then it happened. Something, a good review, perhaps a notable blurb from a respected writer, maybe my own persistent curiosity, got me to pick Michael’s first novel up again. I read page 46, and then 47, and just like that, I got caught up in its story of a loser who had all of Armageddon living in his palm. I read it. I read the HELL out of it, all the way to the conclusion. 

And then I knew what the story was about. 

Love. 

It was about a love so terrifying and large that if it wasn’t embraced, it would eventually spread out and destroy everything, and yet I sensed Michael’s own stance was not as nihilistic as the material would suggest. He stood on the hopeful, light-fringed side of the overcast shadow and had a large enough reserve of romantic spirit and courage to understand that people cannot make progress, in any capacity, without happily enslaving themselves to love and good will.

I don’t want to inject too much of myself here, but it’s necessary to point out that I am NOT the same way. I’m negative. I’m a cynic. Most times I’m falling through darkness, hoping to grab onto some unseen ledge by chance, but in meeting Michael, and then knowing Michael, I learned that living your life the other way can be done, and it can be done with glory unparalleled in scale to those who think otherwise. 

I believe in his vision now. Always will.

The last time I saw Michael was in his hotel room in Salt Lake City. Me, Michael and his wife Michelle all had pizza and watched REPO GAMES that evening. It was a nice quiet way to end the convention. Michael was struggling a bit with the altitude though, and had to turn into bed early. He was fast asleep before I left the room. I never got a chance to say anything else to him after that, but even if I had, there would be so much more left unsaid.

I admit, honestly, selfishly, that I feel cheated my copilot has vanished from the seat next to me. I once envisioned a future with us as two old men peddling our wares at Horror conventions a hundred years from now. That was how it was supposed to be. Unhappily so, the story went a different way.

Despite knowing completely of Michael’s chances to fend off such a devastating illness as Cancer Unknown Primary, losing him is all still a shock to me. Jumping into freezing arctic water—does anybody ever acclimatize to such temperatures? It’s hard to imagine a person’s core ever thawing after something like that. I will have to think back to better times; that must be the only recourse to employ right now.

I will miss Michael. I will miss our endless conversations about the genre and writing and publishing, and our puerile glee over the newest videogames that tried to rip us away from it all. I will miss hanging out at conventions with him and Michelle, who is a wonder in her own right—for all the energy Michael put out, she matched him. How such two rare gems ended up in this piece of coal we call the world, I will forever be up-and-down amazed. And if that wasn’t enough to blow my mind, their daughter Deja is probably the best teenager you’re going to meet, ever. She truly is proof of what happens when the forces of good band together.

In closing, like so many others I just want to say how honored I am to have known Michael. I’m so thankful I joined the Horror Writers Association, which led me to his work. I’m so appreciative I shook off my shyness and attended a San Fernando Valley chapter meeting where I first met him and Michelle. I’m grateful I only live a half an hour away from the Calvillo house in Lake Elsinore, because that geography allowed for one of the greatest friendships in my life.

Above all, I’m thankful, so eternally thankful, that I finally got a clue and opened his novel once more, began reading on again, and discovered the real story Michael wanted to share.

~~~~~~~~~

First Novel panel at Bram Stoker Convention in Long Island, June 23, 2011

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Interview with Hal Bodner

grave skull

Today I welcome author Hal Bodner to Cloth's Chapel! Hal is the author of the best selling gay vampire novel, Bite Club and the tremendously funny sequel, The Trouble With Hairy.  According to Hal, he tells everyone he was born in East Philadelphia because so few people know where Cherry Hill, New Jersey is located. The first person he saw in his life was C. Everet Coop, future US Surgeon General, who delivered him.  Thus, Hal was ironically destined to become a heavy smoker.

He moved to West Hollywood in the 1980s and has rarely left the city limits during the past twenty years.  Hal is so WeHo-centric that he cannot find his way around Beverly Hills, the next town over.


~~~~~~~~~~


BKE: “Bite Club” came out in 2005. So, in returning to your characters Chris and Troy, did you feel any apprehension in resurrecting them, or was it like meeting up again with old friends?
 
HB: The answer is… neither! Actually, I began writing “Hairy” almost immediately after I finished “Bite Club”.  I don’t think I’d even finished the edits on the first book before I started on the second one.  It wasn’t a delay in writing but rather one in publishing.

At the time, Alyson Books (which had long been the premier publisher of legitimate gay and lesbian literature) was going through a huge metamorphosis.  They’d hired a new publisher/editor in chief who I did NOT get along with.  At the time, I thought it was limited to a personality conflict between her and me.  Later, I discovered how universally loathed she was.  At any rate, the situation was bad enough for me to leave Alyson entirely.

 

I was in the middle of looking for a new publisher when my husband died suddenly and unexpectedly.  I bottomed out and spent the next 18 months or so sprawled on the couch with the television remote. I watched the Sony logo from the DVD player bouncing around the screen because I was so depressed that it was too much effort for me to get up and put an actual DVD into the machine.  I think I may have memorized the algorithm or something because, to this day, I can predict where the logo is going to go next!

By the time I started to feel human again – which was almost two years later – I had to start from scratch looking for a new publisher.  It was brutal!!! Almost everyone I spoke with loved the books but, as it turned out, they were very hesitant to publish them due to the gay content.  It wasn’t that there was any explicit gay sex in either book; there wasn’t.   But the whole comic tone of the book was irrevocably “gay” in that it was what we call high camp.
 
Agents, publishers, marketing people were just terrified that it wouldn’t sell.  I’d wave the sales figures for “Bite Club” in front of them and they’d STILL hem and haw.  “Bite Club”, by the way, did phenomenally well; the royalties practically bought my house!  Even so, I could NOT get a publisher for “Hairy” for a long time.

 

And if I may “foreshadow” a bit, I began writing the third installment of the Chris and Troy books, “Mummy Dearest”, as soon as the edits on “Hairy” were finished.   I immediately ran into problems.  I think that because I was still grieving and didn’t consciously realize it, I had a hell of a time balancing all of the characters and plots and subplots. I just could NOT manage to keep my mind clear.
 
And the villains! To this day, I’m still not happy with the bad guys in “Mummy Dearest.”   I need to somehow find the time to sit down, rip the book into shreds, work on whipping the villains into shape and cut several hundred pages from the novel.
 
The odd thing is that when I re-read “Bite Club” and “The Trouble With Hairy”, I’m amazed at how damned funny they are – especially “Hairy”.  In a way, I’ve intimidated myself.  I’m a bit afraid to trying to tackle the edits on “Mummy Dearest” for fear that I’m not able to write as well or as funny as I used to!
 

~~~~~~~~~~

BKE: What inspires you to write?
 
HD: Oh gods. That is SUCH a hard question to answer.  I wrote “Bite Club” originally because we were in the heat of the AIDS epidemic and I felt the disease was stealing more than just unfulfilled promise from our community. I felt it had also cost us our sense of humor.  Gay culture has always held a certain type of humor in high regard and, due to the fact that our friends and lovers were dropping like flies, we began to take ourselves very seriously.  I’m not at all suggesting that we should have treated what was going on lightly – far from it.  But, AIDS was rapidly leaching all joy out of our culture.  “Bite Club” was my attempt to try and preserve some of that campiness.

Then, of course, novels are rather like potato chips.  You can’t stop at just one!

I think that, now, what inspires me to write are ideas.  I get these glimmers of what my friend P.D. Cacek used to call “what ifs”.   I never used to understand what she meant by that. Now, every so often, I’ll start thinking, “What if XYZ happened?”  Suddenly, there’s an idea for a novel percolating in my head and then all I have to do is find the time to write the blasted thing!

~~~~~~~~~~

BKE: You’ve owned a pet store, which is now an exotic bird store. Care to share any memorable moments as a fine purveyor of animal life?

HB: People are insane.
 
I spent most of my professional career as an entertainment lawyer and only took up retail after I retired.  I always thought we showbiz folks were quirky and a little nuts.  But we are absolutely normal compared to some of the lunatics who pass through the doors of the average retail shop on a daily basis.
 
At first, I thought it was because animal/pet people are all a little coo-coo.  Now, however, I think it’s just retail in general. The sad thing is that as the economy worsens it’s very hard to maintain a sense of humor about things.  Some customers are just vicious and, sadly, I have to fight really hard not to respond in kind – and I’m not always successful.

The Cuckoo Bird

We had a young lady working for us for about four months and she was wonderful with the animals.  One day she came into work and announced, “People in LA are rude, dishonest, cheap, entitled and nasty.”   My partner and I were all, “And your point is…?”  because we were so used to customers behaving badly.  But she was from Minnesota or some place where, apparently, people are still civil to each other.  In any case, she high-tailed it back to the Midwest and I suspect she’s much happier there.

As for my most memorable moment, I’d have to say it was at my old pet shop when one woman tried to return a bag of cat litter because “…the cat didn’t like it.”  But she was lying.  How did we know she was lying, you ask?  Well, it was because the litter was USED!!!   I know it sounds insane but she had scraped the used litter – cat poop and all! – back into the bag and tried to return it.  
 
The truly sad thing is that incidents very similar to this happen weekly.  In fact, we always joke about putting a big sign in the front window that says: This Business Participates in A Day Without Crazy. Please Help Us Win.

~~~~~~~~~~

BKE: As somebody who isn’t afraid to share their opinion, a quality I truly admire, can you tell me what type of horror story just pisses you right off? 

HB: I loathe novels where the author is completely derivative.  They think just because they’ve read a few zombie, or vampire or whatever books, they can write one.  Either there’s nothing original in the thing or there’s a single “new” idea which ends up being not-so-new after all, poorly developed and what I call a “one joke wonder” in that it’s not enough to sustain an entire novel.

I also detest self-indulgent authors, the ones who are writing based on something that happened to them and which has taken on a great emotional importance.  In most cases, they feel the incident itself is so devastating or whatever that they can dispense with the elements of good story telling as the incident alone can carry the book.  They’re wrong, of course. What you end up with is little more than badly written literary masturbation. 

I also have a pet peeve when it comes to those novels that read like novelizations of bad role playing games.  I’m not talking about the kind of stuff that White Wolf used to do. Some of that was quite good and they used some authors who later became very well respected.
 
I’m talking about those books where the author has warring clans of critters who, in spite of their supernatural status, all end up using various guns (which the author describes as if s/he was writing for a weapons catalogue) on each other.  There’s always some kind of secret hidden society. Often, there’s clandestine government involvement so the author can use phrases like “Black Ops” and similar techno-mumbo jumbo.  These books end up taking themselves far too seriously and usually come in a series of  so-called chronicles or sagas -- “The Chronicles of Whatsis, Book Three”  The author has usually created this gigantic mythology—often inconsistent within itself—and assumes the reader will be so fascinated by the construct that they’ll overlook the fact that the story itself stinks.

   ~~~~~~~~~   

 
BKE: What project are you currently working on?

HB: Let’s see.  At the moment, my biggest project is trying to find the time to work on all of the other projects I’m working on!

As I mentioned earlier, I’ve still got to edit and condense the third Chris and Troy book, “Mummy Dearest”.  Some time ago I started work on the one after that, “I’ve Got You Into Your Skin” but it’s going to be awhile before I can get back to it.

I’ve got a new super hero series coming out soon.  The first book is called “Fabulous in Tights”, followed by “The Wrong Shade of Turquoise” and “A Study in Spandex”.   They’re all about a very reluctant super hero who, while he feels obligated to use his powers for good, doesn't much like doing it.  It’s very funny and VERY caustic.  I was able (I hope!) to channel some of the bitterness I experienced after my husband died into some clever bitchiness.
 
 The first two are finished.  I recently decided to scrap what I’d already written on the third one in favor of something that’s a lot more fun to write.  I think, when I start taking myself seriously while writing these things, I get into trouble.  But, if I concentrate on the possibilities inherent in the crazy costumed villains, I can have a blast writing them.

I’ve also been trying to get the right angle on my first science fiction novel. I’ve made something like six false starts—some of them quite lengthy.  But somehow I can NOT seem to get the proper handle on the thing.  Nevertheless, my instincts tell me there’s a hoot of a book there so I keep slogging away at it. 

Finally, for much of my writing career I’ve sort of become well known for telling people “I don’t do short stuff.”   The short story format, for me, is an incredibly difficult one to work in.  But given the realities of running a business full time, maintaining a household where the house itself seems perpetually under construction and/or renovation, keeping up with a boyfriend who’s twenty-some years younger, taking care of two dogs and four parrots and failing miserably to find the time to do everything else I need to do on a weekly basis, I’ve been looking at the short story format with great interest recently.  If I can manage the technique, I may need to start working in that venue as well for the next couple of years while I try to free up enough time to get back to the novels!

~~~~~~~~~

 Hal Bodner has been an entertainment lawyer, a scheduler for a 976 sex telephone line, a theater reviewer and the personal assistant to a television star.  For awhile, he owned Heavy Petting, a pet boutique where all the movie stars shopped for their Pomeranians. Currently, he owns an exotic bird shop.

 

           He has never been a waiter.

            He lives with assorted dogs, and birds, the most notable of which is an eighty year old irritable, flesh-eating military macaw named after his icon – Tallulah.  He often quips he is a slave to fur and feathers and regrets only that he isn’t referring to mink and marabou.  He does not have cats because he tends to sneeze on them.

            Rapidly approaching middle-age, he remembers Nixon.

            He got “married” very late in life to an incredible man.  Sadly, after five amazing, if turbulent, years he was widowed and can sometimes be found sunbathing at his husband’s grave while trying to avoid cemetery caretakers screaming at him to put his shirt back on.

            Hal recently took a crack at writing erotic paranormal romance -- which he refers to as “supernatural smut” -- with In Flesh and Stone and For Love of the Dead.  While he enjoyed writing them immensely, he has resolved to return to his comedic roots with additional “Chris and Troy” novels.

            He blushes to admit he is currently romantically involved with a man roughly half his age.  As a result, he has recently discovered that the use of hair dye is evidently not an adequate replacement for Viagra.

              You can read more about Hal at www.wehovampire.com though since Hal is a cyber-moron and a complete technophobe, the website is almost never up to date so you should probably just try to reach him on Facebook!

~~~~~~~~~~

Interview with Sandy DeLuca

grim and chick
I am very pleased to have author Sandy DeLuca at Cloth's Chapel for an interview. Sandy DeLuca is an American writer, poet and painter. She was born in Providence, RI, and has lived in New England all her life. She is the author of 4 novels; DESCENT, SETTLING IN NAZARETH, FROM ASHES & MANHATTAN GRIMOIRE. Her novella DARKNESS CONJURED was recently released. She was also a finalist for the BRAM STOKER for poetry award in 2000. You can find her fiction in Kindle format as well as in print format at Amazon.com. In addition, her illustrations and paintings appear in publications such as MAD HATTERY, with Marge Simon's poetry (available at Amazon).


BKE: Your novel DESCENT has appeared both as a Delirium novel (2005) and more recently in a paperback edition by Uninvited Books (2011). How wonderful to see two different manifestations of your work, from two well respected Horror publishers no less. What has been your experience with this? Do you feel that new editions of the same novel take on a different life with the reading public?

SD: DESCENT was first printed by Delirium in 2005 as a signed limited edition. One hundred copies were released with one of my original pen and ink sketches bound within each book. It was great working with Shane Ryan Staley and I'm thankful he believed in my writing enough to initiate such an awesome project. I've had nothing but great experiences with Delirium/DarkFuse, Shane and his entire staff.

​More readers had the chance to read DESCENT when Shane released it in digital format in 2009.

I was honored when Rob Dunbar (Uninvited Books) expressed an interest in publishing DESCENT in a paperback edition last year. Working with him has been both fun and rewarding.  Seeing the book in an entirely new format is truly wonderful as well. With the paperback edition came a nice collection of reviews and interviews--newfound attention for DESCENT thanks to Rob and Uninvited Books.

I'd like to add that if it were not for Greg F. Gifune DESCENT probably would have never been written--or it wouldn't have turned out quite the same. I am truly thankful to have had the advice and encouragement of such a gifted writer and editor.

~~~~~~~~~~

BKE: Writing, poetry, illustration. You seem to wrestle a trio of muses! Which discipline is the easiest for you to take up at a moment’s notice? Get in the zone, as it were.

SD: Visual art is something that comes easy. I really don't do much illustrating these days. I tend to get frustrated trying to tailor my work to someone else's vision and I don't like to make changes to a painting once I'm satisfied that it is completed.   Painting is a very personal experience for me and I feel as though I'd be giving away a piece of my soul if I had to alter a piece for money or someone else's needs. 

I paint quickly and intuitively, pretty much without planning the final outcome. I work on large canvas and over the past year have been doing more local exhibits-- a great way to market and network. Now and then someone will express interest in using one of my pieces for a publication and I have no objection as long as I don't have to alter the work in any way. In addition, Marge Simon has written volumes of poetry in collaboration with some of my finished paintings--enough to produce two collections so far. Those projects are stress free and lots of fun.

I don't do as much poetry as I once did. At present writing fiction dominates my writing.

Novel writing is hard work--much more difficult for me than painting a landscape--and while ideas, characters and settings come easily, the final outcome of my fiction is realized after lots of rewrites and revisions. I do believe that most writers experience the same difficulties and challenges. Our growth as writers is ultimately achieved by lots of work and an undying drive for perfection.

~~~~~~~~~~

BKE: The occult is a strong thread through much of your work. How did this interest develop? Do you ever find people looking at you sideways in suspicion after they ask what your books involve?

SD: I was raised in a superstitious Italian family. Dreams and charms to ward off evil were subjects discussed by old grandmothers around the coffee table.  Later I began to collect occult books and continue to do so. 

Yes, some people think I'm strange. I've been "advised" to write romance novels instead of delving into darkness, but I just can't imagine writing a romance novel. Just last night I'd gone to a baseball game with a relative and we got lost on the way home in the midst of old deserted factory buildings and rundown tenements. Of course my imagination went wild and I told her the experience would probably inspire a story. I received one of those sideways looks.

~~~~~~~~~~

BKE: Favorite place to write? Why? Any music involved?

SD: I live in an Old Cape Cod house and I write upstairs in an attic room on a desktop computer, most times with two cats at my feet. No music involved.

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BKE: Is there another genre you want to explore in the future?

SD: I love tough gritty crime fiction. Back in 2001 Trey R. Barker and I edited a collection called CRIME SPREE. It contained twelve short stories with a strong noir flavor. My own story NICKY RYAN was included in the collection. I've also written another piece called THE HUNTER'S MOON published around the same time. My short story DEATH MOON is a horror/noir blend; also the giveaway story for my Live Chat at Dark Fuse. I want to do more exploration in this particular genre. In addition, I plan on doing more dark mainstream fiction. Several of my short stories published in the previous decade would be considered dark mainstream. PATHS OF DESTINY, from my collection by the same title is one of them.

My novella INTO THE RED, published by Damnation Books late last year, is pretty much dark mainstream with a bit of horror woven within. And I've written a novel, called PRAYERS FOR SOLSTICE, which contains elements of dark urban fantasy. At present I'm trying to find a suitable home for this somewhat offbeat piece.

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BKE: And speaking of the future, what are your upcoming projects?

SD: At present I am finishing up another horror novel.  Once that is completed I have plans to write another novella based on a very old and supposedly haunted hotel in Newport, Rhode Island.

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BKE: Sounds fantastic Sandy! Thank you for coming to the blog.

SD: Thanks so much for the opportunity to do this interview. I enjoyed it and best of luck with all your future projects.

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Sandy DeLuca-Artist & Author    Personal website

Link for a live chat on May 10th

~~~~~~~~~

dark angel





Two for Eternity takes place over a 12,000 year period.  It covers pre-history, Ancient Egypt, Ancient Babylon, the time of Christ in Judea, the time of the Vikings in Norway, Columbus sailing to America, the Crusades, the Spanish Inquisition, and World War 2 all the way up to modern day.  When I wrote this novel, I didn’t want to give a dry history lesson, but I wanted to add enough flavor for the reader to get a feel for the time period as well as get the historical details right.  This entailed one hell of a lot of research, more than I had ever done for anything else I had ever written.

 
During the course of researching my novel I came across a great deal of information not commonly found in textbooks.  I tried as much as I could to use alternative sources of information.  There’s a saying that he who wins the war writes the history.  As a result, much of what people learn in school isn’t what actually happened, just what the people who are writing the history want them to know.  My novel gives a different perspective.

Since the novel was going to span 12,000 years, Ancient Egypt seemed like a great place to start.  Ancient Egypt was highly advanced and militarized.  It was the first civilization to really spread their empire far across their borders.

One of the prevailing themes of the novel focuses on religion.  Since organized religion and religious belief has had such a pervading effect on our history, it seemed like a natural theme.  Marduk was the patron deity of the city of Babylon and highly influential on Babylonian culture.  Marduk was a warrior god who defeated Tiamat, a dragon and leader of the Annunaki gods, in single combat.  During the reign of Hammurabi, Babylon truly established itself as political and cultural center of world, which is why I chose to write about this time period.

The God Marduk

 
The section where I deviated the most from the textbook version of history is the part that takes place in Hispaniola in 1492.  Christopher Columbus has been inaccurately portrayed throughout history.  Not only was he not first European to land in Americas (the Vikings had landed in North America 500 years earlier), but Columbus was nothing short of murderous thug.  Using brutal tactics such as unleashing war dogs, systematic cold blooded murder, purposely spreading disease, he managed to kill millions, including the genocide of the Tainos Indians in Hispaniola.  My primary source of data for this part of the novel was the journal of Christopher Columbus’ brother who took part in his journey.

Columbus arrives in the New World


If you like history, I think my novel will really work for you.  There’s drama, adventure, fantasy, romance, a little bit for everyone.  It’s available now at Amazon and Barnes and Noble.  Check out my website at www.carlalves.com.  I’m also on Facebook at Carl Alves and on Twitter at @authorcarlalves.

~~~~~~~~~

Carl Alves went to Boston University majoring in Biomedical Engineering.  Carl graduated with a BS degree, and has since worked in the pharmaceutical and medical devices industries.  He later graduated from Lehigh University with an MBA degree.  His debut novel “Two For Eternity” is scheduled to be released for publication in November 2011 by Weaving Dreams Publishing.  His novel "Blood Street" will be published by True Grit Publishing in November, 2012.  His short fiction has appeared in various publications such as Sinister City, Alien Skin and Glassfire Anthology.  He is a member of the Horror Writers Association and has attended the Penn Writers Conference.  You can visit his website at www.carlalves.com. 

~~~~~~~~~~

"Adventures in Reading" by JG Faherty

grave skull






Adventure stories come in many forms. Action, mystery, suspense, horror – but there's one you probably rarely think of when you're in the mood for an adventure book.

Science.

That's right. Science. No, I'm not talking about your chemistry text or the latest issue of The Journal of Bacteriology. I'm talking about the memoirs and journals of field biologists.

Okay, now that you've stopped laughing, give me a chance.

Years ago – many years, back when I was a geeky boy of about 10 – I was in the library on a muggy summer day, looking for my usual fix for the week. This normally meant a book on the different types of dinosaurs, or maybe something in a Hardy Boy mystery or rock-em-sock-em sci-fi novel. (See a trend? Science and adventure!). Lo and behold, what do my grubby fingers find?

Snakes and Snake Hunting, by Carl Kauffeld.


Now, I loved snakes at the time. Already had my Field Guide to North American Reptiles memorized. But this book, with its front cover of a rattlesnake poised to strike, followed by this teaser:

"A noted snake hunter tells of the many snakes of the United States, including over forty venomous forms, and his own adventures in capturing them alive."

Captivated me like no other. Add to that the picture of a gruff looking fellow dressed in bush gear on the back cover, and the statement that he was the Curator of Reptiles at the Staten Island Zoo – a local! – and I had to have the book.

So I checked it out, and spent the next couple of days devouring it.

This would have been about 1971, and the book had been written in 1957. I soon learned that the adventures within all took place in the 1930s, 1940s, and 1950s. And what adventures they were! Tales of climbing through treacherous mountains in Arizona, slogging through swamps in Florida, and cruising empty desert roads at night, all to capture elusive snakes. As Curator of Reptiles, it was Kauffeld's desire to have as complete a collection of live snakes at the zoo as possible, at a time when most zoos only had a few 'attractions:' an anaconda, a large alligator, and perhaps a cobra. Each chapter read like a mini Indiana Jones tale, long before Indy even existed. Camping out with nothing but tents and tins of franks and beans cooked on an open fire. Narrow escapes from the attacks of hidden rattlesnakes. The joy of finding something rare on the road followed by the heartbreak of discovering it had been run over just minutes before.

Interspersed in and between these tales were loads of scientific information – habits, care, territory, ecology, etc. – but I passed over these. I just had to find out what crazy adventure came next. And it was all done in the style of a novel, with loving care paid to all the senses. Kauffeld perfectly captured the sounds of nightbirds, the smell of the campfire, the warm desert winds, and the stars shining in the clear, wide-open skies. This was more than an adventure novel, it was a Western and a mystery and a campfire scary story all rolled into one. It had cliffhangers. It had suspense.

It was the Hardy Boys if they were snake hunters, and perfect for a 10-year-old boy!

I read that book twice during the summer. And then the following year I did something terrible. I stole it! Snatched it from the very same library. Of course, I felt bad about it later and I went back and left ten hard-earned dollars on the front desk when no one was looking. And if you don't think that was hard, remember what it took me to earn ten bucks in 1972. That was a lot of lawns mowed!

By the time I was twelve, I had probably read that book – and the two others Kauffeld wrote – easily nine or ten times each. And then I did what all kids do and moved on. More scary books – Poe, Frankenstein, Dracula. More Hardy Boys. A lot more sci-fi, everything from Stark Trek novelizations to Piers Anthony, Roger Zelazny, and David Gerrold. Time goes by. I never lost my interest in snakes, but I also discovered other things. Eventually, I went to college. St. Bonaventure University, in large part because I was acquainted with one of the professors there, Richard Bothner. He was Curator of Reptiles and Amphibians for the college, and had a large (by small private university standards) collection that I'd been lucky enough to visit a few times because my uncle knew Prof. Bothner.

Naturally, I signed up for his Intro to Herpetology class. And discovered that he'd actually known Carl Kauffeld! In fact, Bothner came from New York City, and as a kid had visited the Staten Island Zoo all the time just see the reptiles. As a young scientist, he'd met Kauffeld near the latter's almost-retired stage.

It was Bothner who burst my bubble and let the air out of my childhood hero. Yes, Kauffeld had been the adventurous type. In fact, he had a lot of trouble working at the zoo because he felt confined. He needed to be in the field, collecting. To the point where he'd earned a reputation in the industry for over-collecting, bringing back specimens they didn't even need. His books, while great reading, also had resulted in snake hunters – professional and amateur alike – being practically given a map to where some of the best locations were for finding rare snakes.

Of course, this was disheartening to me, and I went back and read those books again – Snakes and Snake Hunting; Snakes: The Keeper and the Kept. This time, I saw with my almost-adult eyes the truth in Bothner's statements. The too-precise details of various locations. The way he'd taken home six of a certain species instead of just one or two. At the same time, though, I also grasped the scientific data interspersed within each story. I saw the book in a new light, as a tool that helped me care for my own snakes (and eventually the entire collection of the university).

During my college and grad school years, Bothner and I became good friends. And it turned out he was a lot more like Kauffeld than I'd first known. Not that he over-collected; just the opposite, in fact. We never brought anything back from our field trips. All the animals in the school collection were donations from various zoos and larger universities. But he was the adventurous type. And we did travel all over – Canada, Pennsylvania, New Jersey, New York, the Carolinas, Georgia, Florida – camping and hiking and catching snakes and lizards and 'gators and all sorts of slimy amphibians. We ate by the campfire, slept in tents, endured floods and freezing nights and mosquitos so large they could carry a person away. Sometimes it was just a few of us students and a couple of professors for a weekend, sometimes it was a whole class earning credits while slogging through the Everglades. I still have my own field notebooks from those trips. And by having my own adventures, I found I didn't need to read Kauffeld's anymore.

Of course, everything changes but everything stays the same and things go 'round and come back again. And by that confusing mixed metaphor I mean eventually, if enough time goes by and a book is still in your house, you'll read it again. So it was last year. We were packing to move into a new house, a monumental task for someone with a huge book collection. So I started packing my books months before the move. During that time I came across all sorts of hidden gems and re-read them. My Hardy Boys collection (50-odd books read in less than a week, and did it help me write a YA novel? Yes!). Some very old sci-fi by Alan Dean Foster. The old Conan the Barbarian collection.

And Snakes and Snake Hunting – the very same book I stole from the library as a boy!

It's been more than twenty-five years since Doc Bothner and I went on our last class trip to the Everglades. He got old, then I graduated, and a few years ago he passed away. I read that book by Kauffeld hoping to re-capture some of the old magic, and I did. This time, it was like I was a kid all over again, reliving the excitement of the adventures. Only now it was overlaid with the nostalgia of my own memories, as in my head I compared my trips to the Pine Barrens with Kauffeld's. My trips to Georgia with his. My pain at having a water snake chomp on my hand with his at having something clamp down on him. And the science was there still as well, a science now outdated. What back then had been radical in terms of making a viable home for a captured snake was now common knowledge that any kid probably had. And I wondered if kids today could even read the book and feel any excitement. After all, the current generation has grown up with psychos like The Crocodile Hunter, Jeff Corwin, and all the idiots on the Animal Planet channel who pick up cobras and 'gators and other dangerous animals with their hands, instead of using the special tools – snake hooks, clamp sticks, buddies! – we old-style herpetologists used 'back in the day.'

Most importantly, I realized that books have layers. There more than just the stories you read. They have power, the power to ignite memories, teach different lessons depending on your age and openness when you read them, and trigger reactions from your emotional core. Sadness. Joy. Nostalgia. Depression. Fear. They can stoke the imagination more than any movie, but they don't do it in that same immediate gratification kind of way movies or TV do. It's slower, it acts beneath the surface. A book leaves behind bits of itself inside you, pre-internet cookies if you will, that can activated decades later when you read the book again.

Don't believe me? Go find ten books you read before you were fifteen, books that had an impact on you back then but you haven't read since, and read them again.

See what happens to you.


  

  ~~~~~~~~~  

JG Faherty is the Stoker-nominated author of Ghosts of Coronado Bay, Cemetery Club, Carnival of Fear, and more than 30 short stories and novellas. His background includes working as everything from a zookeeper and laboratory technologist to an editor and resume writer. You can follow him at www.jgfaherty.com, www.twitter.com/jgfaherty, and www.facebook.com/jgfaherty



~~~~~~~~~

WHC 2012, a fragmented recapitulation

scary duder
So yeah, um, I suck at remembering to take photos. It's been said in past posts, but it bears repeating so there will be no need to lean back and say, "Why doesn't he have a photo of that?"

For instance, at this year's WORLD HORROR CONVENTION 2012, I had a reading. With bags of chocolate jellybeans, m&ms and chocolate Twizzlers. It was great. The candy I mean. If it weren't for other more prudent people, you would have to use your imagination for how it all looked, because my camera had like eight photos from the entire three day convention and some of them were different shots of the same thing.

In regard to my reading I would like to thank Rena Mason and Michelle Calvillo for helping me set-up. They were so helpful--  I probably could have asked them to take a photo or two and they would have totally obliged me. But I didn't, because, well suckery was already mentioned.




The two head boards for the queen beds in my room had some interesting choices in artwork. It's like a puzzle: What's a musical + soup + the depression? To make it more complicated, there's a rainbow above the soup can, so it might be making a statement about sexuality too. I awoke confused every morning, second guessing my attraction to heart-felt musical numbers featuring one can of soup and one can of water longing to merge despite economic hardship.

DAY ONE: THURSDAY

I flew from Southern California to Denver to Salt Lake City. Yes, I flew past SLC only to return, like a Star Trek slingshot around the sun, but not as dramatic and my Bird of Prey was the bloated duck model. No cloaking, but I did feel invisible as an old woman elbowed me in the sternum repeatedly as she attempted to get out of her seat. She didn't say sorry or even tell me to stick it where the sun doesn't shine. She just softly farted and went about disembarking.

I love humans!

I arrived at the hotel to find my room wasn't ready (around 1pm). The bar wasn't open, so I did what I'd been doing all day so far: I waited and stroked my Kindle Fire.

Later I registered for the WHC and got set up in my room and most of my complaining dwindled to just about nonexistent for the days to come. On the first night I met some new folks (all awesome): Nightscape Press Publisher Mark Scioneaux, Christopher Payne from JournalStone publishing, writer Brad Carpenter and Stoker nominee Brett J. Talley. And I was very chuffed (using its first definition) to meet my future Redrum Horror publisher Ed Kurtz and his wonderful, charming wife Megan Zimmerman. They are a riot. More than often I would find Ed laboring around the convention rooms, out of breath and blaming it on his girth, but also suggesting that Megan was trying to kill him by walking around all of Salt Lake.


At night, Brad Carpenter and I got some drinks called Scottish Sidecars, which seemed to be a blend of Sprite, scotch, and some genteel liqueur that ultimately went unnoticed. The first was good, the second tasted too much like pure Sprite for our advanced palates. After the bar I went to the Cutting Block Press Party and saw mis compadres Boyd Harris and RJ Cavender. Since no beer kegs are allowed in Utah by mere mortals, the beer supply ran out swiftly.


So I was in bed soon after.



The other head board was just cruel. I mean, I didn't get away from my wife for the weekend to suffer this kind of abuse! I was listening at the time, thank you very much. I just didn't comprehend anything said. Take the next train, drama queen!



The photo doesn't do the vista justice. The mountains are beautiful around these parts.


DAY TWO: FRIDAY

I had breakfast with the always funny, supremely talented Richard Payne. If you know Richard, then you know its always great to hang out with him and talk writing and life. 

I attended a masterful reading in the morning by up and comer Folly Blaine from the anthology Dark Tales of Lost Civilizations.

Later in the day I had my own reading. I read two flash pieces. DOORS TOO SILVER and THE PIECE CAST DOWN. Like I said, I didn't take photos, but I have seen a couple floating around the internet, so here's a couple taken by Dark Eva of Dark Eva's Dark Delights. She did a nice, lengthy, well written account of the convention, which is more deserving of your eyes than this one.

"Bear with me, it seems someone has taken all the illustrations off these pages and replaced them with words!"

Chocolate jellybeans and M&Ms.


Check out Dark Eva's three day coverage of the WHC 2012. DAY ONE. DAY TWO. DAY THREE.

There was a mass signing that I weaseled my way into at the last moment. The WHC staff were very accommodating and printed out my own "Etheridge" name card and everything! Snarkiness aside, they were extremely kind and helpful, when they should have just tossed me out :)

That night there were several parties to attend, one of which was the release of Lincoln Crisler's CORRUPTS ABSOLUTELY anthology. There was a reading at the party, and if you've read my blog before, you know how I feel about readings at parties. But hey, just my opinion. What the hell do I know? Yeah... so anyhow, many beer-fisted people flooded into the hallway while the reading was in progress and that's when security got an itch in their get'along.

The rest of the evening was devoted to finding small parties that would volatilize as soon as I found them. I went to bed early (1am), but the next morning I was thankful for it.

Nice. That white building's giving me the bird, but I snap the photo anyhow, undaunted.

Mark Scioneaux with his anthology HORROR FOR GOOD.



DAY THREE: SATURDAY - Stoker Award Night

I attended the Supernatural in Horror panel with Michael Louis Calvillo, Rick Hautula, Sherilyn Kenyon and other notable writers that slip my mind at the moment (but that's me, not them). While the discussion veered off into a more interesting topic about writing in general, for the most part I thought the supernatural discussion was well rounded and I enjoyed listening. 

Directly after I went to Michael Louis Calvillo's reading, and if you've never been to his readings, you definitely should the next time you get a chance. Michael has more energy than anybody I know. In spite of his recent health issues, he's still an absolute joy to listen to and should be the model for anybody trying to put together a successful, engaging reading.

I attended three other readings that day. Lincoln Crisler, Rio Youers, and Carl Alves. They all had different stories to tell and I was captivated eighty-seven different ways between them.

In the evening I meet at the bar with Richard Payne, Darren O Godfrey, and Folly Blaine. Great people. I wish we were still talking about everything and nothing right now.



Then it was off to the Stokers, where I would be presenting with Michael Marano, who I had the pleasure of finally meeting. I was a little nervous about the prospect of being in front of all those literary horror gods, but in the end presenting is far less nerve-wracking than accepting an award.

After another great ceremony with Jeff Strand at the helm and a big win by the great Joe McKinney, I moseyed up to the room, changed out of my tie and slacks and all at once felt less stuffy. I went back down to the after party where I met Stoker Nominees John Hornor Jacobs and Ken Lillie-Paetz, as well as fellow HWAer Damien Walters Grintalis, who has turned on a faucet of good writing news lately.

I decided to head up and visit with Michael and Michelle Calvillo who had retired to their room to relax with some Big Daddy's Pizza-- amazingly good pizza pie!

This is where things get strange for me. My shuttle was scheduled to arrive at 4am because my flight was around 5:30am. So rather than get a couple hours of sleep, I decided to stay up all night.

The dealer's room was excellent. Plenty of reasons to drain the bank account and bow all the shelves of your home library!

Lincoln Crisler's reading. He's promoting his new anthology CORRUPTS ABSOLUTELY, that has a great collection of writers.

A gesticulating Rio Youers reading three chapters from his book WESTLAKE SOUL, which was so wonderful I had to literally run to the dealers' room to buy a copy. One of the most engaging narrative voices I've heard in a very long time.



DAY THREE SPROUTS HAIR AND BECOMES DAY FOUR: SUNDAY

So, staying up all night is not for the faint of heart, or for people named Benjamin, as it were. I went to my room and messed around on the internet and packed up my things. Before I knew it, yup, it was around 3:30am and time to gather up my things and check out.

My shuttle arrived right on time.

My flight did not.

I actually got to hang at the airport with writer and makeup FX artist Mike McCarty, which had a later flight and had opted to sleep a few hours. Smart man.

So, at this point, I'm not even at the convention anymore (yet my mind and ethereal form most definitely are), but I take my flight to San Francisco, wait three hours, then take another flight back down to Southern California, where my exhausted wife welcomes me with arms full of needy children.

After it was all said and I did eventually go to sleep, ghosties, thanks for asking. Another great con, come and gone, but never forgotten.

Some of the books I brought home. Westlake Soul by Rio Youers and Sex, Death and Honey by Brian Knight are not pictured.


  
My Tweets during the trip:





























  

Bram Stoker Finalists 2011

Mini Mike
The Horror Writers Association (HWA) has released its list of nominated works for the year 2011. Many great writers on here. Update those TBR lists!


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SUPERIOR ACHIEVEMENT IN A NOVEL

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A Matrix Of Angels by Christopher Conlon (Creative Guy Publishing)

Cosmic Forces by Greg Lamberson (Medallion Press)

Floating Staircase by Ronald Malfi (Medallion Press / Thunderstorm Books)

Flesh Eaters by Joe McKinney (Pinnacle Books)

Not Fade Away by Gene O’Neill (Bad Moon Books)

The German by Lee Thomas (Lethe Press)

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SUPERIOR ACHIEVEMENT IN A FIRST NOVEL

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Isis Unbound by Allyson Bird (Dark Regions Press)

Southern Gods by John Hornor Jacobs (Night Shade Books)

The Lamplighters by Frazer Lee (Samhain Horror)

The Panama Laugh by Thomas Roche (Night Shade Books)

That Which Should Not Be by Brett J. Talley (JournalStone)

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SUPERIOR ACHIEVEMENT IN A YOUNG ADULT NOVEL

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Ghosts of Coronado Bay, A Maya Blair Mystery by J. G. Faherty (JournalStone)

The Screaming Season by Nancy Holder (Razorbill)

Rotters by Daniel Kraus (Delacorte Books for Young Readers)

Dust and Decay by Jonathan Maberry (Simon & Schuster Books for Young Readers)

A Monster Calls by Patrick Ness (Candlewick / Walker)

This Dark Endeavor: The Apprenticeship of Victor Frankenstein by Kenneth Oppel (Simon & Schuster / David Fickling Books)

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SUPERIOR ACHIEVEMENT IN A GRAPHIC NOVEL

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Anya’s Ghost by Vera Brosgol (First Second)

Locke & Key Volume 4 by Joe Hill (IDW Publishing)

Green River Killer by Jeff Jensen (Dark Horse)

Marvel Universe vs. Wolverine by Jonathan Maberry (Marvel)

Baltimore Volume I: The Plague Ships by Mike Mignola and Christopher Golden (Dark Horse)

Neonomicon by Alan Moore (Avatar Press)

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SUPERIOR ACHIEVEMENT IN LONG FICTION

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7 Brains by Michael Louis Calvillo (Burning Effigy Press)

“Roots and All” by Brian Hodge (A Book of Horrors)

“The Colliers’ Venus (1893)” by Caitlin R. Kiernan (Naked City: New Tales of Urban Fantasy)

Ursa Major by John R. Little (Bad Moon Books)

Rusting Chickens by Gene O’Neill (Dark Regions Press)

“The Ballad of Ballard and Sandrine” by Peter Straub (Conjunctions: 56)

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SUPERIOR ACHIEVEMENT IN SHORT FICTION

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“Her Husband’s Hands” by Adam-Troy Castro (Lightspeed Magazine, October 2011)

“Herman Wouk Is Still Alive” by Stephen King (The Atlantic Magazine, May 2011)

“Graffiti Sonata” by Gene O’Neill (Dark Discoveries #18)

“Hypergraphia” by Ken Lillie-Paetz (The Uninvited, Issue 1)

“Home” by George Saunders (The New Yorker Magazine, June 13, 2011)

“All You Can Do Is Breathe” by Kaaron Warren (Blood and Other Cravings)

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SUPERIOR ACHIEVEMENT IN A SCREENPLAY

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True Blood, episode #44: “Spellbound” by Alan Ball (HBO)

The Walking Dead, episode #13: “Pretty Much Dead Already” by Scott M. Gimple (AMC)

The Walking Dead, episode #9: “Save the Last One” by Scott M. Gimple (AMC)

Priest by Cory Goodman (Screen Gems)

The Adjustment Bureau by George Nolfi (Universal Pictures)

American Horror Story, episode #12: “Afterbirth” by Jessica Sharzer (20th Century Fox Television)

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SUPERIOR ACHIEVEMENT IN A FICTION COLLECTION

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Voices: Tales of Horror by Lawrence C. Connolly (Fantasist Enterprises)

Red Gloves by Christopher Fowler (PS Publishing)

Two Worlds and In Between: The Best of Caitlin R. Kiernan (Volume One) by Caitlin R. Kiernan (Subterranean)

Monsters of L.A. by Lisa Morton (Bad Moon Books)

The Corn Maiden and Other Nightmares by Joyce Carol Oates (Mysterious Press)

Multiplex Fandango by Weston Ochse (Dark Regions Press)

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SUPERIOR ACHIEVEMENT IN AN ANTHOLOGY (EDITING)

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NEHW Presents: Epitaphs edited by Tracy L. Carbone (NEHW)

Ghosts By Gaslight edited by Jack Dann and Nick Gevers (Harper Voyager)

Blood And Other Cravings edited by Ellen Datlow (Tor Books)

Supernatural Noir edited by Ellen Datlow (Dark Horse)

Tattered Souls 2 edited by Frank J. Hutton (Cutting Block Press)

Demons: Encounters with the Devil and his Minions, Fallen Angels and the Possessed edited by John Skipp (Black Dog and Leventhal)

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SUPERIOR ACHIEVEMENT IN NON-FICTION

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Halloween Nation: Behind the Scenes of America’s Fright Night by Lesley Pratt Bannatyne (Pelican Publishing)

Reflections in a Glass Darkly: Essays on J. Sheridan Le Fanu edited by Gary William Crawford, Jim Rockhill and Brian J. Showers (Hippocampus Press)

Starve Better by Nick Mamatas (Apex Publications)

Everything You Ever Wanted to Know About Zombies by Matt Mogk (Gallery Books)

The Gothic Imagination by John C. Tibbetts (Palgrave Macmillan)

Stephen King: A Literary Companion by Rocky Wood (McFarland & Company, Inc., Publishers)

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   SUPERIOR ACHIEVEMENT IN A POETRY COLLECTION   

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How to Recognize a Demon Has Become Your Friend by Linda Addison (Necon Ebooks)

At Louche Ends: Poetry for the Decadent, the Damned & the Absinthe-Minded by Maria Alexander (Burning Effigy Press)

Surrealities by Bruce Boston (Dark Regions Press)

Shroud of Night by G. O. Clark (Dark Regions Press)

The Mad Hattery by Marge Simon (Elektrik Milk Bath Press)

Unearthly Delights by Marge Simon (Sam's Dot)

Congratulations to all the nominees!

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